Monthly Archives: October 2014

Herbie Hancock Honored at Great Night in Harlem Concert at Apollo

hhancockBy CHARLES J. GANS
Associated Press

Herbie Hancock enjoyed “A Great Night in Harlem” with a look to the past and the future as the legendary jazz pianist received a lifetime achievement award from the Jazz Foundation of America at a benefit concert at the historic Apollo Theater.

Actor Bruce Willis, introducing Hancock at Friday night’s concert, offered a glance at “the future of jazz” as he brought out 11-year-old Indonesian piano prodigy Joey Alexander to play a solo rendition of Thelonious Monk’s “‘Round Midnight.”

“When I was eight years old you heard me playing. You told me that you believed in me and that was the day I decided to dedicate my childhood to jazz,” Alexander told Hancock who was standing alongside him.

Source: ABC News via AP

The Atlantic: Why Did This Band Recreate Jazz’s Most Famous Record Note-for-Note?

MOPDTK
Photo: The Atlantic

David A. Graham
The Atlantic

If you’re unfamiliar with the band Mostly Other People Do the Killing, the first sign that they might have an offbeat sense of humor ought to be the name. That hasn’t stopped plenty of people from being outraged at the group’s new album.

It’s called Blue, and it’s a reproduction of Miles Davis’s Kind of Blue, perhaps the most famous jazz album of all time. Not a tribute; not “inspired by”; not even a simple covers album. It’s a painstaking, note-for-note reproduction. The musicians have transcribed and reproduced each walking bass line, each cymbal tap, each Bill Evans piano flourish, each note of John Coltrane’s and Cannonball Adderley’s and Miles Davis’s solos.

What can be said about such a peculiar act? First, it’s not jazz. Second, it’s hilarious and important.

Source: The Atlantic

The Guardian: Why pop-turned-jazz stars just ain’t got that swing

Photograph: Guy Levy/BBC/PA

by Philip Clark
The Guardian

Of all those rubbish ideas dreamt up by major-label record honchos frantically trying to balance their ailing books, the pop star – often fading, but not necessarily – sings jazz standards album feels the most desperate. Like sitcom writers who think sending their much-loved characters to Torremolinos for a feature-length “special” is the best way to re-oxygenate a programme whose days are numbered, the success rate of popster jazz is virtually nil.

Jazz is a serious and noble pursuit, with a culture and history of its own, fed by a pool of nuts-and-bolts techniques that can to outsiders feel as obscure and nebulous as the formula for Coca-Cola.

Source: The Guardian (UK)

MPR: Drummer Kevin Washington: ‘You have to change the music’

Yi-Chin Lee / MPR News
Yi-Chin Lee / MPR News

Anyone who has seen Kevin Washington play the drums knows that he is among the most versatile of jazz musicians – as adept at playing straight-ahead tunes as he is incorporating Afro-Latin rhythms or hip-hop into his sets.

“One minute I’ll be playing funk and you’ll think that’s all I do. And right around in like the next minute — just like that — I can play a bebop song so authentic, you’ll think that’s two different drummers,” Washington said. “People ask me that all the time, ‘how do you do that?’ I just do it. You’ve got to do your homework though.”

Washington has been dedicated to his art for much of his 39 years.

Source: MPR

MPR: Jazz radio legend Leigh Kamman dies at 92

l_kamman
Photo: MPR

Leigh Kamman, the former host of the long-running “The Jazz Image” on Minnesota Public Radio and whose broadcasting career spanned more than six decades, died Friday evening. He was 92.

Kamman is remembered as a tireless promoter of the music he loved, a consummate professional and a truly nice guy.

Source: MPR

Manhattan Transfer Founder Tim Hauser Dies at 72

Photo: Getty Images
Photo: Getty Images

By Bruce Weber/NY Times

Tim Hauser, a singer and showman who founded the Manhattan Transfer, a Grammy-winning vocal group that brought four-part harmonies to several decades’ worth of American popular songs, died on Thursday in Sayre, Pa. He was 72.

The cause was cardiac arrest, said his sister, Fayette. She said he had been taken to a hospital in Elmira, N.Y., with pneumonia shortly after arriving in nearby Corning for a scheduled performance and was later moved to a hospital in Sayre, where he died.

Source: New York Times

Fullerton’s Steamers Jazz Club celebrating 20 years of all that jazz

steamers
Photo: Steamers

FULLERTON – On Friday evening after the sun has set, but before the doors have opened for a night of music, Terence Love sat on the back patio of Steamers Jazz Club and Cafe and remembered 1994.

The area was little more than antique shops and pawn shops then. Love bought the building for his club from Fullerton Auto Parts next door, whose owner was using it for storage.

“I said, ‘I’m going to build a jazz club,’ and he said, ‘Good luck.’ He said, ‘You’ll never make it.’”

Source: Orange County Register

ASA: silence, jazz can reduce heart rate after surgery

Illustration of electrical activity of the humanNew Orleans — (October 13, 2014)

Researchers are one step closer to confirming what people in New Orleans have known for decades: Jazz is good for you. Patients undergoing elective hysterectomies who listened to jazz music during their recovery experienced significantly lower heart rates, suggests a study presented at the ANESTHESIOLOGY™ 2014 annual meeting.

But the research also found that silence is golden. Patients who wore noise-cancelling headphones also had lower heart rates, as well as less pain.

Source: ASAHQ.org

The New Yorker: Getting Jazz Right in the Movies

Photograph by Daniel McFadden / Sony Pictures Classics / Everett
Photograph by Daniel McFadden / Sony Pictures Classics / Everett

By Richard Brody
 

Movies about musicians offer musical approximations that usually satisfy in inverse proportion to a viewer’s devotion to the actual music behind the story. Few, if any, fictionalized musicians are played onscreen by real-life musicians of their calibre. (Dexter Gordon, in “’Round Midnight,” is perhaps the best; Jackie McLean and Freddie Redd, in “The Connection,” don’t do as much acting, but their music is brilliant.) Most good music in movies is played by musicians playing themselves, whether it’s Little Richard in “The Girl Can’t Help It,” Louis Armstrong and Lionel Hampton in “A Song Is Born,” the Rolling Stones in “Sympathy for the Devil,” or Artur Rubinstein in “Carnegie Hall.” Yet I’m not bothered by musical approximations and allusions in dramas, as long as the drama itself has the spirit of music. The mediocre jazz in Damien Chazelle’s new film, “Whiplash,” the story (set in the present day) of a young drummer (Miles Teller) under the brutal tutelage of a conservatory professor (J. K. Simmons), isn’t itself a problem.

Source: The New Yorker

NPR: What Is Jazz Night In America?


Along with NPR Music’s partners at WBGO and Jazz At Lincoln Center, we’re proud to announce a new public media initiative: Jazz Night In America. You can check it out on your local public radio station, as well as online at npr.org/jazznight.

Jazz Night In America is many things. It’s a weekly radio show from three groups that have all made nationally syndicated jazz radio for many years, with an internationally renowned musician as our guide. It’s a weekly concert video webcast from venues across the country. It’s a hub for video features, multi-platform journalism and on-demand access. All together, it’s a portrait of jazz music today, as seen through many of its exceptional live performances and performers.

Here’s how to experience it.

Source: NPR